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Whistler
embarked on his first series of Thames views from 1859 to the early 1860s.
During the 1870s he became interested in Japanese prints, which were to have a
profound effect on his subsequent work. These later images of the Thames
concentrate on the light effects rather then the minutiae of the bankside. ‘The
evening mist’ he wrote ‘clothes the riverside with poetry as a veil, the poor
buildings lose themselves in the dim sky…’.
During this
period, bailiffs occupied the White House, Whistler’s home at Chelsea. By way of
retaliation, Whistler persuaded them to act as liveried waiters at his dinner
parties and was able to conceal all his copper plates (ref. Lochnan p.179).
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