|
The
figure in Parsifal
is based on the hero of a medieval poem by Wolfram von Eschenbach (died
c.1230). Redon’s use of the character was inspired by Richard Wagner’s
(1813-83) opera
Parsifal
of 1890. This myth is believed to be based on the ancient Greek idea of the
spear that heals, hence the attribute of Redon’s
Parsifal.
The
Parisian public were fully acquainted with Wagner’s use of elaborate, medieval
legends from publications which contained detailed plot summaries of his operas.
Redon attended recitals and full performances of Wagner’s cycles throughout the
late 1880s and 1890s in Paris, Brussels and London. The symbolism of the
composer’s imagination was well-suited to Redon’s own creative skills which he
put to use in numerous lithographs, charcoals and pastels illustrating Wagnerian
themes.
The
majority of Redon’s lithographs were created using the transfer method of
lithography. This process allowed the artist to transfer the original drawing
to the lithographic stone: the drawing was applied to the transfer paper, a
water-soluble coated paper, which was laid face down on the stone, then dampened
and repeatedly passed through the printing press under pressure until all the
drawing was transferred from the paper to the stone.
|