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The
subject of the nude woman at her toilet was a particular preoccupation of Degas,
especially by the 1890s, when he drew little else. He saw commercial value in
the aesthetic nature of the female nude. This image is just one of literally
hundreds of drawings, pastels, prints, oil-paintings and sculptures that depict
the undressed woman either drying, bathing or massaging her body in a variety of
poses, all of which Degas designed to explore the sensual soft contours of the
female body. This fourth state forms one of a sequence of six that demonstrate
Degas’ inventive working methods. Of the twenty impressions known to exist of
this state, only ten were signed, including this version.
When
Degas exhibited his pastel versions of the female nude bather at Durand-Ruel’s
exhibition of Impressionists in 1886, many critics were shocked, but this
did not deter him from producing the lithographic series (from which this print
comes) which he worked on between 1886 and 1892.
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