Art Nouveau Glass

 

Art Nouveau first emerged as a distinct style, in around 1895 and achieved widespread popularity shortly afterwards, when the style was show cased at the Paris Exhibition of 1900. The English name for the style derives from the Maison de l'Art Nouveau , and interior design gallery in Paris, however the movement has different names throughout Europe. The style is typified by the use of natural forms treated in an unrealistic manner. In most cases there is a tendency to abstraction, to the extent that the original inspiration for a piece is no longer recognisable. The manufacture of such stylised works required great technical skill.

The Cecil Higgins glass collection includes work by Emille Galle, the Daum Brothers and Louis Comfort Tiffany, in which the organic sculptural form of Art Nouveau is integral to the glass itself. 

 
     
     
     

  Vase,Circa1901                 Emille Galle                       31cm high

Clear glass blown-moulded in the form of a flower overlaid with streaked mauve and grey glass.

 
     
     
     
     
     
     
  Favrille Glass Circa 1902            Louis Comfort Tiffany                   44cm high

The slender green stem supports a pale green iridescent flower with stretched rim and and veined green lustrous petals.

 

     
     
     
     
     
     

  Candlesticks, Circa 1900               Louis Comfort Tiffany                        32 cm high

The columns with twisted open work swellings carry lustred favrille glass spheres. They are supported by  patinated bronze bases formed as peacock feathers inset with lustred favrille glass balls.

 
     
     
     
     
     
     
 

Vase, Circa 1900                          Louis Comfort Tiffany                     44cm high

Favrille glass flower formed in gold lustre with a stretched flute rim.

 

     
     
     
     
 

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